The Importance of the Gaming Blog

Emotional Motion

I’m not talking about my gaming blog.  In fact, I feel that out of all the blogs I can think of, mine is one of the least relatable.  I avoid spoilers like the plague, even if it’s within the first 30 minutes of the game.  I always jump in blind.  I even avoid talking about them, and yet here I am trying to talk about games.  I have a ton of seemingly arbitrary rules about how I approach media, making it near impossible for me to talk with other gamers in a manner that isn’t bothersome.

So this is not about my blog.  This is about all the gaming blogs I encounter.  I’ve read so many good ones.  Why are gaming blogs so important?  What if they aren’t articulated well?  What if they don’t know any of the technical game design elements? What if they just play games?

What if they just play games?

Games are a very personal thing.  They’re like eating food.  We are considered “consumers” after all.  It’s like reading a book or watching a movie.  It’s like seeing a beautiful vista, and having your own opinion and experience.  Games are an emotional experience.  And what better way to learn about emotional experience than from emotional people?

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All it takes for someone to be able to be a writer of video games, in the most non-objective sense, is to play games; they just need to have the experience.  I’m not looking for the top critics’ blogs.  I’m not looking for someone who has directed and designed two triple AAA games.  I’m looking for Frostilyte Writes, who recently wrote about their perspective for capturing audiences of all sides in the fighting genre for Street Fighter VI.  It’s a very good and informative piece.  You should read it. Why are people like this important?  Because one line sticks out to me from their article. 

“I’m not who Capcom needs to convince.“

Games are a part of the investments and feelings that we have experienced as people.  Frostilyte has this unique perspective of saying “the people you actually need to convince are people that aren’t already pilled. The people who will buy a fighting game, and never play it online.”  That’s me.  I’m the person who never plays it online!  But this isn’t coming from someone who plays for the casual game.  They play for the PvP.  Someone who plays for the PvP talking about why the PvE matters.  That’s a take I want to find. That is someone’s experience of having played other games in a non-objective way talking about what they think.  This is what I’m looking for.

I want to know why they feel nostalgic about certain elements.  I want to know what makes other people excited.  Is it a technical thing?  Are they excited for a character?  What is it that drives them to be playing games?  Because I’m just one person.  And I want to know.  I don’t just want to know why things are liked or disliked.  I want to know what led them to that.  I want to know what and how the people think.  

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There’s nothing wrong with objective approaches to video games, but they’re are plenty of those.  It’s like a scientific paper.  The objective is to reach a technical point in which we can reproduce it.  In fact, I’m going to use a scientific paper to talk a little more about it. It was a recent and interesting paper called about emotional writing where they state this:

“The idea is that rather than seeing articulations of emotion as detracting from authentic metacognitive knowledge production, such articulations of emotion can and should be seen as a critical part of the metacognitive process…  …We are not claiming that emotion alone can give us a clear picture of the metacognitive process, but without accounting for emotion, we have an incomplete conception of how students understand not only their own writing processes but also themselves as writers…”¹

In the article they’re talking about objective papers, ones written for more professional research.  But I’m going to argue it works just as well for video game writing as well.  Media writing if we really want to talk about this.  Again, “…without accounting for emotion, we have an incomplete conception of how students understand not only their own writing processes but also themselves as writers…” (emphasis added)

There is nothing more important to me in video game writing than realizing there is another being, with different emotions and complexities, experiencing the same thing I am playing.  There is nothing more important to me in writing, than the individual people voicing their opinions.  I’m not saying this in a “power to the people” kind of way.  I’m saying this in “the people are the power of gaming” kind of way.  That this is an empowerment of everyone in the community from the people who have friends who play games, all the way to the developers, and dare I say it, possibly even the corporate side. …Maybe. 

Our individual aspects are what makes media so much more enjoyable.  Video game blogs give us that in a readable, presentable form.  (Except for my website, which is extremely plain and possibly not very presentable.)

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The irony is that valid dislikes are what it is being human.  How far is someone willing to go before technical game design is a problem?  How far before it’s a feature not a bug?  Or how far is it before it’s janky fun to “this is getting annoying?”  I partially regret adding Mass Effect 3 to the ULTRA, because it had some serious bugs.  But I kept it there.  I’ve taken down games from the ULTRA for the same reason.  Why?  Why?!  Because every one of my siblings is familiar with Mass Effect and their characters.  Outside of the actual aspects of the game, the closeness I feel with the lore is different, because for once it’s something we all can talk about and relate to.  I’ve grown close to the janky mess.

What characters or arcs evoke more of the player’s life into the experience?  We can even say, what technical aspects of games evoke a player’s life into the experience?  There’s a reason why A Hat in Time feels like a good old school platformer without actually being an old game.  

How far is this going to stretch?  I want to know, because it tells the story of what it is to be a gamer.  I disagree with some of the things the bloggers write about.  Almost every time, if they’re not writing objectively, they understand the complexity of disliking or liking a game I have opposite feelings for.  We are all individual players, and that’s okay.  I am grateful for the rapport and the kind of camaraderie of it all.

Objective reviews are read by people who have personal and emotional experiences.  Spoken of before, but the comparing and contrasting with others helps to feel what we like and dislike.  The benefit of knowing what the voices of the players think is what these personal blogs do best.  You can get to know this person in a way you can compare your own interests with.

What better way to display all this in mini form than mixed Steam reviews.  These people are almost always connected to the game in some emotional level for good or for bad.  Mixed reviews on Steam are sneaky because a 50% doesn’t sound good, but in hindsight, that is half of the people who play it.  That’s a lot.  And furthermore, they’re usually much more emotionally charged.  But 50%!  That’s a you like it or you don’t, and think of how many things we attribute that to: movies, books, theme park rides, food, dancing.  I’m not saying go play mediocre games, but remember that you are an emotive, real person that has real experiences.  Therefore, what better way than to use these tools and help from other players to guide you in how you can best approach the world of gaming, whether that is living life as a gamer or finding a game that you like.

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I sometimes stare at my blog.  I’m annoyed because I find myself staring and wondering what to write about.  But really it shouldn’t matter too much.  Because the content is an emotional section just like any other writer.  I admit I enjoy more this almost anthropological approach to writing about media than anything else.

I have barely any time to do all the nothing I want to do.  But when I read other peoples blogs like WCRobinson, the previously mentioned Frostilyte, and Later Levels, I remember why I love to read about games.  I remember why I love being a gamer. That’s huge.

Their individual personalities are like bright fires burning on a dark night.  It is a refuge and reminder of how personal and human games can be.

Thanks for reading.  Stay safe, and I’ll see you again.

– Elise

1. Scarantino, A. (2006). [Review of Thinking about Feeling: Contemporary Philosophers on Emotions; Emotion, Evolution, and Rationality, by R. C. Solomon, D. Evans, & P. Cruse]. Mind, 115(459), 812–820. http://www.jstor.org/stable/3840610

Why I Love: Kingdom of Loathing

The more you know

When you go to kingdomofloathing.com there are a bunch of stick figures.  You see some stats about some players and some announcements.  Currently there is a banner for their game Shadows Over Loathing.  And that’s it.

But if you make an account and go in, you enter a comical world that shows you how entertaining simple stick figures and the written word can be.  Kingdom of Loathing is a browser, turn-based RPG that has the normal elements of any RPG: six classes, skills for each, a main quest and side quests, and fun secrets.  What sets it apart is the fairly simple illustrations of monsters and the hilarious descriptions of the fights and adventures you partake in.

I mean, this is what it looks like (I’m going through a special Super Mario version run):

The game is filled to the brim with jokes and pop culture references.  Skeletons can “scwipe you with their scimitar and misc.”. And you’ll fight monsters like The Beetles or golems made of chowder.  Everything from the fights to the item descriptions have jokes and it’s an absolute delight reading new material as well.  You can take apart cottage cheese and get a cottage.  That’s the kind of humor I’m talking about.

The world is very well developed at this point and there are tons of places to explore.  Expect to do reading from all the descriptions of the events you run into.  There is a limiting factor though: every day you get 40 adventures and every combat/event encounter consumes one adventure.  Stores and stuff don’t use adventures. You might feel like this is limiting, but it’s just about the right amount to play for every day.  And you can have up to 200 adventures stored up. You can go past that with food and drinks, but the 40 given will only give you up to the 200. But also take care not to drink too much alcohol or you’ll be fallen down drunk and useless for the rest of the day.

The six classes are strange like Accordion Thief, Seal Clubber and Pastamancer.  But the themes that continue in the skills make them feel like legit real classes that have existed forever.  Admittedly they’re based off of normal ones.  Mix that with the thousands upon thousands upon THOUSANDS of items you can find in the game.  Content really does feel endless here.

All of it is free.  There are a few things you can pay money for, but the game is completely fine without them.  And if you finish the game you can ascend and start over with different challenge paths that go from something as simple as being a teetotaler and not being able to drink, to having the whole kingdom turned into a nuclear post apocalypse. Or even like my current run, being a Super Mario-like character.  Every time you ascend you get rewarded and you can start over with new content, which at this point there are SO MANY different cool paths you can take now.  

There are, of course, online components. You can shop the player maintained mall, take part in PvP, or create a clan with your friends to take on a clan dungeon.  But also of course, I do not partake in the online aspects except the mall.  

This game is definitely not everyone’s cup of tea but I highly recommend trying it.  It is available for free at kingdomofloathing.com. If you’re not into browser based mostly text adventures you can get West of Loathing or Shadows of Loathing on Steam.  They are not free though.  

But all I’ve been doing is explaining what the game is. The whole battle system set around things like fighting hippies having elemental effects like “stench damage” gives you a bit of an idea of some of the organized absurdity the game shows you.  The game is most rewarding when you know more about real life and pop culture.  References abound in nearly every description and you’ll find yourself laughing out loud (hopefully, if not I apologize for my taste in humor).  At the very least there are some puns there that you can enjoy.

And that’s the big thing. The more you know about pop culture, the more enjoyable this game gets. Things from random beer quotes (I don’t drink, but I still get some of the jokes from ads and whatnot), to references to other games, to making puns or making fun of grammar. There are so many different kinds of humor all throughout the game. Every time I read something and I get the reference I feel like doing that DiCaprio pointing gif/meme. And sometimes the stuff is just funny without getting it.

So if we get all that pop culture stuff in with an infinitely updated game that I would play forever if it updated forever and I lived forever, and you get this wonderful game. Really, I’ve seen so many mixed responses to this game. …but I just finished my 50th ascension and I still have more things I want to do in this game.

Kingdom of Loathing is #179 on the ULTRA, as of the publishing of this post. What other browser based games do you still really like?

Thanks for reading, and hopefully I will post more darn often. =_= Be safe.
I’ll see you next time.
– Elise

Why I Love: Kentucky Route Zero

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I was afraid to write about this because I am always worried about spoiling this kind of stuff.  So if you are going to play this game or you haven’t finished it, I’d rather you do that first before reading this, because I don’t really think there is a way to talk about this without spoiling any of it.  Please go do so.  If you have absolutely no intentions of finishing or playing this game, or you’ve already finished it, feel free to continue on.  

There will be no spoiler tags.  

So, again, be sure that if you want to play without spoilers, stop here.  

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A lot of games have less than 50% of owners playing it.  Kentucky Route Zero is like 10-20%.  I feel bad because I think gamers tend to underestimate how good writing, literally the words, juxtaposition, and everything else, can be so strong.  Kentucky Route Zero takes that and structures it around an interactive, choice-making medium in such a way that doesn’t take away from the way words evoke feeling and meaning just because you can see actions or make choices.  Its strength still feels as powerful as any traditional writing.  It truly is a visual novel.

I went into Kentucky Route Zero thinking it was overhyped.  It’s been a long time since I’ve played a classic adventure/point and click style game, although admittedly this game doesn’t really have puzzles.  So I went in not knowing what to expect.  Which…is no surprise because I tend to go blindly into games, because I like that.  Immediately I love the simplistic style in the graphics.  It makes things feel vague and mysterious.  You can’t see any of the character’s faces.  They’re just blank.  Movement can sometimes feel sluggish.  You spend a lot of time just looking.  

The way the game presents itself is like myth and folklore.  But not in the manner of viral videos or YouTubers talking about stuff.  It’s like the normal everyday life of the belief.  Everything feels all matter of fact.  The perspective of the characters isn’t in shock.  It’s a different cultural structure.  It reminds me of how my family still works with balances of elements in Feng Shui.  They just kind of exist and we exist within that sphere.  Or one that is a little strange is that there are raccoon spirits in the households.  If someone talks about them, there is no surprise if it is the spirit that caused something.   There’s no unbelief.  There is even an ancestral chart for the different spirits that have passed through the household.  To be clear, this is not a Chinese thing, it is just lore from the family.  

And saying that something happened by the raccoon spirits is not ignorance, it’s living within the in between of what is real and our mythos.  Whether or not the scenes we experience in Kentucky Route Zero are real, take place in the afterlife, or are folklore, is not important.  What’s important is that they happened and were felt.  

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There is a section about halfway through the series where you go on a trippy river called the Echo.  On the Echo I notice a theme where everyone who lives there or hangs out there often becomes wanderers.  They tend to forget why they travelled on the Echo.  They end up drifting everywhere.  There are so many stories that you can listen to and experience on this river. Before long on the Echo, I too forgot what I was there for.  I became enveloped in the unique lifestyle of living in this place that resides in between the lines.  Sure, we could say that it was the fact that this river winds for what feels like forever, but the presentation and experience was quite interesting.

One of my favorite moments was in a mostly empty store.  The only thing showing you what is happening is text and audio.  There are no graphics to describe these scenes.  You can hear the hum of these machines that hold liquid in them.   When you approach it the audio changes to represent that.  And when you reach into one of the containers your mind wanders.  The audio softens to represent that as well.  It’s simple, and feels obvious, but reading text and feeling that audio is a fantastic experience.  It’s not so far that it’s video gamey.  It leans much further into the literature side of things, while also not being an audio book.  

It is also perhaps the minimalist style that also makes room for the written word.  Each graphical effect and gameplay element doing their duty, which is to tell a story through feelings, emotions, and words.  There is so much reading here.  And that is not a bad thing.  I think it tends to drive gamers away, but they’re missing out.  I love that so many of the characters are not there for you.  You might be playing the main character, but the other characters don’t really care.  I love that there is so much dialogue that is not necessary.  The only necessity is if you want to take a look at these people in this world.

Speaking of taking a look, I think one of my favorite parts are the little micro episode things in between each normal episode.  There is one where it’s just a phone and a phone number.  You call the number and it’s an information service for tourism along the Zero.  I spent a VERY, VERY long time listening to this phone.  I even leaned my head against something on my shoulder as if I had the phone in real life and was listening to it for long periods of time.  I suppose if I was not clear, this is an old wired phone.  Maybe it helps that it looks so much like the one my family had while growing up.  

Listening to this information recording talk about the different parts of the Zero as it’s a whole entire world unknown to us is so fascinating.  And then there’s the fact that it always leaves something to the imagination.  There’s always a little more mystery than can be exposed.  There’s always a little something more to the mythos.  It gives the feeling of how small we are in a world of myth and reality.  

Here’s another in-between episode that I loved.  I mean, these episodes still take place in the world of Kentucky Route Zero, so it’s not like we’re wasting time on these, but I believe they are optional.  There is one where you watch this play in this very small theatre.  If you look around you can also read how the play came to be and stories around the actors and audience’s reactions.  There’s a surreal experience of learning such in depth material about something that you’re in the process of watching.  It feels so personal that I can’t help but feel a weird relationship between the actors and also the actors as people.  It’s that strange feeling of reaching into the depths of a world we know so little about, and in the end, it’s still about people.  

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I tried to be spoilery but I still kind of failed.  Ha!  I think I enjoy Kentucky Route Zero because it reminds me of the life I live.  My life is full of mythos, not for the sake of fun or role playing, but because that’s how it is.  I think I resonate with Kentucky Route Zero because it captures folklore very well.  I also love it because it feels very sentimental: here, feelings are more important than facts.  

Which brings me to my last point.  I started this blog to talk about good game design, but I find myself lately talking about things in sentimentality.  I am a very emotional person, what can I say?  However, this usually doesn’t make good writing.  I apologize for this, as I have decided to continue on this sentimental route.  I will still talk as if talking to a friend.  I’m not here to write an essay, even in my deep dives.  I obviously still talk about game design, but ultimately this is a website about praising games, and that tends to bring along with it a lot of sentiment.  So thank you for reading if you do.

Kentucky Route Zero is a very sentimental game.  I don’t want people playing it if they’re not going to like it.  I am worried people will think it will be a tremendous waste of time, but I feel that those who do resonate with it will have one of the best experiences in gaming.  Ever.

Kentucky Route Zero is #9 on the ULTRA.  

Thanks for reading.  I’ll see you next time.

Elise

Comparison: The Meta Boss

The Toxic Wasteland

If you’ve read my blog …or whatever this is, you probably already know that I like to play single player games.  I’m not a competitive person.  Or…rather I should say, I hate comparing myself to other people.  It always ends up being a bunch of self-deprecating madness.  But…every time I am playing a game that has stats I open it up and check on it often.  Why do I do that?  Why is that so important?  Am I insecure?  What the world is going on and why, why does this have to be a thing?  Today, I’m going to look into that.  I’m Elise.  This is Game Praisers Deep Dive.

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Instagram is a deadly place.  As an artist, it can be extremely inspiring.  It can also be one of the absolute worst things to look at before heading into a new project.  There have been many times where I just feel totally horrible after just having improved the night before, because I decided it would be a good idea to look at some “inspirational” pictures.  That was not a good idea.

But, these pictures can inspire me.  I know they can because they have.  This is a competition.  And you know what makes it harder?  In games, it’s worse.  In video games I can look at the scoreboard and say, “Wow, I am just bringing my whole team down.”  If I look at the top player on my team, I don’t receive inspiration.  I don’t look at an amazing kill-death ratio / KDR, or as I feel many games see it now, kill-death-assists / KDA and feel inspired.  Maybe I can see inspiration when I watch professional games like ESL or Homestory Cup in Starcraft 2.  Yeah, I can, but never can I look at the people I am directly competing against and feel inspiration.  I have never, unless I personally know that player, ever gained some sort of encouragement by looking at another top player even if they’re on my side.

When we compare ourselves to others, it is usually us on the lower end of the comparison.  We’re the ones who are insufficient.¹  And in the case of video games, it doesn’t matter if they’re on our side or not, these carriers are evidence that we are a weak link.  And although it has happened before, you don’t hear a lot of encouragement from your teammates when you’re not doing well.  Few competitive environments are more toxic than the video game ones.  I once played a game against medium difficulty bots in League of Legends because I wanted to see a character’s animations without going to a blurry Youtube video.  Someone was absolutely furious that someone else was in the same lane as them.  They started feeding the enemy team and then half way through the match they left.  This was a bot game.  It wasn’t even on the hardest difficulty of bots.  This is an example of the kind of people we deal with.

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But I never feel that in Guild Wars 2.  When I see someone with amazing equipment I never think, “Gosh, I wish I was as diligent and focused as that player.”  Maybe to a small extent, but never to an effect.  Nowadays it would be more like I wish I had time, which is a whole different problem.  There they are though, walking around with all their cool gear.   Guild Wars 2 is a social game, and it’s been shown that spending time on social networking things tends to make people more depressed.²  Except… there is a context we’re missing here.  Guild Wars 2 does not place me in competition, especially concerning that most of it is PvE for me.  Social networking does.  By the nature of what I do, what I like, who I choose to hang out with, they all point towards things similar to me.  So of course I’m going to end up with other artists on Instagram.  Of course I will end up with other people who play games on Facebook until I purged it of every acquaintance and false friend.  And of course there is the whole entirety of women, including women characters, that make me feel in competition with being attractive.  I don’t think I need to tell you that it does not help.³  That’s the whole point.  And when it comes down to performing well in the context of others… that’s the whole point of competitive gaming.

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It’s very difficult to pinpoint this because it’s such a specific social thing.  There aren’t that many studies that directly correlate to this.  I found a thesis on it, and while it has some nice insights, it’s just one study.  The writers themselves have noted that it is possible, and needs looking into, that playing PvP/competitive games can detract from the positive social aspects of video games.⁴   Self-determination theory claims that humans need a feeling of competence, autonomy, and relatedness.⁵  These are underlying things that help increase self-esteem and more so, motivation.  Random and unprompted positive feedback helps people feel competent and motivates them to work hard.  Relatedness as well.  Both things that are…lacking in the environment of competitive video gaming.  

Personally, I believe that to combat this we need self control and self esteem.  Self control to understand our needs concerning our games that we play.  Don’t play a competitive game to blow off steam if you know it’s going to make you upset.  Some people can play competitive games to calm down, but be sure that you are one of those people if you’re going to do it.  Think about what games would best fit for however you’re feeling.  My experience with video games has gotten a little better since I’ve tried to adjust myself to playing what would be best in the moment.  Sometimes it’s just whatever I feel like.  Gatekeeping myself from playing something else because I have to finish another game has almost always resulted in a less than optimal experience.  Though admittedly it’s not super bad, it is sometimes significant which affects how I feel about a game.  This is something I do not want just because I made myself more depressed or something.   

Then there is self esteem, which is a difficult thing for me.  I’m still working on this, and will likely be working on this my whole life.  Learning to be okay where we are as we try to improve is a big thing.  Sometimes it’s okay to not perform well some days.  What is important is that we are willing and trying to improve.  We can be happy with where we are now without compromising who we are trying to become.  But…easier said than done, right?

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So why do players still seek it out?  When Battlefield 2042 was released with a limited scoreboard people kept requesting and asking for a full scoreboard it until it finally was added, and it ended up being an announcement on many gaming sites.^{7, 8, 9, 10}  And IGN’s subheader is literally a reference to what I’m talking about, saying, “Finally, proof my K/D ratio is trash.”¹¹  While it is a joke, it is still frustrating to come back at the end of a long work day to play Valorant or something and then get frustrated not only because you feel like you’re letting down your team, but also because they’re yelling at you.  

For me, the extent was that I sought out these games because it could fulfill that feeling of competency and possibly even camaraderie.  It could, and when it did, it felt great.  Of course it felt great when I turned to Battlefield V after a long day and I was one of the top players on my team.  But these methods are reliant on volatile results and variables that may be outside our control.  They depend on whether or not you win, which in a team game, is very dangerous.  It could depend on either side’s attitude.  It depends on your performance, and that alone could be dangerous.  It could feel self-deprecating to see yourself not performing well.  And that one is possibly even more dangerous, because it is applicable to single player games.  And most importantly, it’s applicable to life.  If how we feel about ourselves and whether or not we’re happy with ourselves is dependent on performances, it could be a dreadful life.  

Comparison fulfills something in us, but it’s also something that is very easily out of our control.  Sometimes we just don’t do well.  Sometimes we make mistakes.  That is life.  This is not to say we shouldn’t try at all, or we shouldn’t be happy when we do well, but we cannot tie our intrinsic feeling of self worth because someone else performed well enough not only to destroy us on a bad day, but also teabag us after they did so.

Thanks for reading, stay safe, and I hope to see you again here at Game Praisers.

Elise

Citations:

1. Gerber, J. P., Wheeler, L., & Suls, J. (2018). A social comparison theory meta-analysis 60+ years on. Psychological Bulletin, 144(2), 177–197. https://doi.org/10.1037/bul0000127
2. Sunkyung Yoon, Mary Kleinman, Jessica Mertz, Michael Brannick, Is social network site usage related to depression? A meta-analysis of Facebook–depression relations, Journal of Affective Disorders, Volume 248, 2019, Pages 65-72, ISSN 0165-0327,  https://doi.org/10.1016/j.jad.2019.01.026.(https://www.sciencedirect.com/science/article/pii/S0165032718321700)
3. Jacqueline V. Hogue, Jennifer S. Mills, The effects of active social media engagement with peers on body image in young women, Body Image, Volume 28, 2019, Pages 1-5, ISSN 1740-1445, https://doi.org/10.1016/j.bodyim.2018.11.002.(https://www.sciencedirect.com/science/article/pii/S174014451730517X)
4. Zhao, F. (2022). The role of social video game play and relatedness in players’ well-being [Master’s thesis]. University of Oxford.
5. Ryan, R. M., & Deci, E. L. (2017). Self-determination theory. Basic psychological needs in motivation, development, and wellness.
6. Vallerand, Robert & Reid, Greg. (1984). On the Causal Effects of Perceived Competence on Intrinsic Motivation: A Test of Cognitive Evaluation Theory. Journal of Sport Psychology. 6. 94-102. 10.1123/jsp.6.1.94. 
7. https://www.polygon.com/22891186/battlefield-2042-scoreboard-patch-update
8. https://www.gamespot.com/articles/battlefield-2042-is-finally-adding-new-scoreboard-see-it-here/1100-6499759/
9. https://www.thegamer.com/battlefield-2042-scoreboard-update-live/
10. https://www.pcgamer.com/battlefield-2042-new-scoreboard/
11. https://www.ign.com/articles/battlefield-2042-update-scoreboard

Why I Love: Resident Evil 4

Conquer the darkness

Okay, I think for most people who play horror games, Resident Evil 4 is not really that scary.  But it’s scary enough to be called a horror game.  I think some people consider Bioshock to be a horror game, but I wasn’t ever really scared in that for some reason.  …maybe.

I get really scared in games.  Super easily scared.  (I know, Bioshock does have some scary moments.)  But like, this is how scared I was: I couldn’t get past, like, the first few cabin areas at the literal start of the game.  I think the biggest problem for me in horror games is anticipation.  I always think it’s going to be way scarier than it’s actually going to be.  My imagination goes wild and it’s never even close to what the actual scary thing is.  But that’s good.  I like games that create an environment that really scares me.

What really brings it up technically are two things which I was totally not expecting:

Inventory Management

I can’t believe I’m saying this, but this made me really grateful for inventory management.  I’ve already played things like the Deus Ex series that has this, but for some reason Resident Evil 4 really helped me realize how much I do enjoy resource management.  I do like not having enough ammo at times.  Making difficult decisions with what I have in the inventory turned out to be really fun!  It makes it feel rewarding and risky, and for some reason I never really recognized that.  I probably felt it in Deus Ex, but I only realized it for what it was here, and looking at the time this game was released, it probably was the same for others as well.

Oh wait, I played Resident Evil 1.   And that was a nightmare.  Pun intended.

For me, it was Resident Evil 4.  It feels rewarding when I save something for later and it turns out to be useful, and it feels like there are consequences if I hoard and it turns out to be detrimental.  I like it.   Resident Evil 1 was a little too punishing in inventory management for me.

Gunplay

This is probably…the best third person gunplay I’ve had.  It feels so good.  It really feels like I’m aiming the gun.  I mean, obviously that’s what we do in shooting games, but it feels so natural here.  When I initially saw it for what it was, again I was really doubtful.  I was like, “This is not going to be great.”  But…every time I had an encounter and I had to shoot, it was fun.  Um…it’s really…it.  That’s it.  

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For me, this was also a turning point where horror games changed.  I became more willing to play them.  Which is good, because there are so many horror games that I want to play for the story, but still want to experience the original form of the game.  It’s because of Resident Evil 4 that I played Alan Wake, and then continued on with other horror games.  

Emotionally I really like Resident Evil 4 because I love the characters in it.  I love that Leon doesn’t really care about people being flirty or romantic with him.  He just brushes it off.  I really like that a lot.  I hate forced romance or obvious push for romance.  I like that allied NPCs don’t feel stupid.  And it’s interesting that the graphics still somehow hold up today. Which is kind of weird.

These things in Resident Evil 4 are present in other games, but I think the little nuances of a lot of eastern style approach to storytelling, character design, and enemy design really attract me.  I admit it.  This isn’t to say that western versions of the same are bad, they’re just different, and for the most part each does not have entire exclusivity. Again, there’s some cheesiness in all games, but there’s something both endearing and paradoxically profound about the way it is done in Resident Evil 4.  Most of the people throw it off as only cheesiness and maybe even cringiness.  I don’t know, because my approach to media is different.  I don’t see things like anime as cringy (I mean, unless it’s legitimate like, cringe).  I think it’s partially the culture I grew up in, but it’s also just…I don’t know.  I honestly haven’t found why this happens or where it comes from.

I think part of it is my whole view of treating these worlds and characters with a certain reality and respect.  I see them as people, even if their worlds have some cheese in it or are super fantastical, and they’re still people and worlds with backgrounds unbeknownst to me.  There will be bad parts and characters, this we know for sure, but for the most part I want to respect the strangers I meet here.  It’s more likely that I’m a guest in their world that doesn’t know enough, than for me to be arrogant to judge them with a personal ideal.

I wanted to see what I would write for a Why l Love for a game that has a greater emotional tie, and I don’t know if it was any good.  Heh.  But I would like to thank you for reading.  
Thanks for your support!  I hope you’re having a wonderful spooky season.  Stay safe, but don’t forget to enjoy the wonderful mise-en-scène of Halloween!

Elise

Yes. I’m totally going to get the remake.

Sentimental ULTRAs

In a minute, I’mma need a…

Objective lists of bests always make me scratch my head.  I know there will always be at least some bias in lists, but my favorite rankings I hear from people I talk with are the ones that are very emotionally biased.  I’m talking nostalgia, events that transpired during plays, purely sentimental acts, and emotions just taking over.  Even if this means emotionally attached to a certain game design.  Even if this means emotionally attached to a bad game design.

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If you’ve been here, you’ve heard me talk about the ULTRA, the Ultimate Loosely-Thought Ranked Analysis.  This is my internal ranking of all the games I’ve ever played.  This list is processed by a current top twelve list that rotates as new games enter that list.  When games are added to that list and leave, they graduate to the ULTRA where they are ranked. 

There is no other process other than just sitting there thinking and discussing with other players.  Things move up and down that list all the time depending on discussions, thoughts, and epiphanies.  There is no extreme, numerical game design analysis.  It’s just thoughts.  While I have studied a lot about game and art design in video games, those things are not what I pride my list on.  I love my list because it’s so emotional.

When I speak to players I like to bring up the question, “What are some of your favorite games?”  I say “some of” because asking for a number one game is usually too difficult or stressful to answer.  Just give me a couple of games where, if you had to recommend to a random player, these are the ones you’d choose.  I want them to choose whatever loosely-thought, emotional choices they made.  I want to get to know the player as a person, not as a critic.  

Each viewpoint that the player brings to the table is what makes everything so unique.  Their likes and dislikes of the game tell me a story that gives me a greater understanding not just of their thought processes and perspectives, but also their goals and what they value.  I believe every experience in life does have an impact.  This is why I oppose those who bully others online and why I oppose those who think just because something inappropriate is on a screen and “isn’t real” is okay.  It’s the same emotional connection that gives the reason why you can’t go about saying that certain anime is okay even though there are definitely pedophilic things in it or other similar stuff.  Whether you like it or not, watching that thing is going to affect you for the same reasons that other “innocent” things affect you for good.  I can’t believe I’ve had to make that argument (and have it be ignored by said person).  Why do I always hate being part of this entertainment community?

I digress.  Let me talk about something a little less depressing.

I love Remedy Entertainment’s Control.  I deal with some addictions in my life, and I don’t handle them well.  I used to be addicted to gambling (darn you lootboxes), but thankfully I’ve gotten a lot better at that.  So that’s one of the many down.  I’ve been through therapy, drugs (ironically, for drugs), and other treatments.  It’s not an easy road, but it’s a road that always makes me feel like it is my choice.  Addictions blur the line between what is choice and what isn’t.  It also brings up a ton of other contextual sociocultural things that also ask the same question depending on said contexts.  It’s just…not fun.  (I hope if any of you are dealing with similarly degrading things that you are getting as much support as possible.)

Playing Control felt different.  I felt free.  It’s technically considered a horror game, and I don’t do well with those, but I managed to get through the main game.  (I haven’t finished the DLCs, I’m saving that for spooky month.)  I’ve thought about this a lot, and I’m not sure what it was.  That week I played Control I was free from all my addictions.  I felt like I really was in control.  It wasn’t because I played all day and night or anything.  They were normal sessions.  Maybe it was Jesse’s independent attitude and my role-playing as the characters that gave me strength.  Maybe it was the emotional connection I had with her confusing experience.  Maybe it was smashing stuff with the physics in the game.  What if it was just good gameplay and world building?  These are just some of the ideas, but I honestly can’t pinpoint why.  That whole experience is one of the biggest reasons why I love Control.  

It’s so…simple if you look at it.  The event was complicated for me, but if you look at it from the outside in, it seems so simple.  It’s very emotional, and it’s super insanely biased.  It is in fact, probably one of the most biased positions on the ULTRA.  Control sits at #6.

I think what I am trying to say is that I love people.  Don’t get me wrong, I am a hermit.  I rarely go to events for the social parts.  But I admit that I really love people.  Sounds like an oxymoron, but I think it somehow works.  I’ve been following other players like Later Levels, where life, games, and being a parent all coincide.  And how about The Gamer With Glasses, a gamer trying to get through life and talk about their love for RPGs.  Or Ace Asunder’s unique perspectives on gaming feel empowering and eye-opening.   Their views on games tell stories.  These are stories that help me grow.

I am far, far from a perfect person, especially as I have just been kind of vulnerable about my life just now.  I value the struggle, and all the hardships in my life have given me the opportunity to become a softer person.  I have chosen that.  I want to see that.  I want to see how video games are a force for good for people in the world.  How has gaming shaped struggles for you?  How has it helped, even in the most minor of ways?  

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Hearing emotional lists and likes of games helps me realize that the player I am talking to is a human being, and with that human being comes struggle.  And with that struggle is usually someone who is trying to be a better person.  And with that striving person, maybe another reason for me to hate being part of this media community a little less and love it a little more.

Thanks for reading. I’ll see you again later this week if my work isn’t crushing my soul.

Elise

Why I Love: Subnautica

Fear and Fun

Subnautica is sci-fi, exploration-survival at its best.  Let’s dive right into it.  Er… sorry.

Subnautica is a survival game where you crash land on an ocean planet.  The normal survival mechanics exist where you have to manage hunger and thirst.  You’ll have to manage your oxygen as you dive into the depths.  You can scan objects and creatures to learn more about them and the absolutely rich ecosystem in the game.  You can build bases to expand your exploration prowess.  Subnautica excels at providing a beautiful ocean of creatures that gives you an amazing sense of wonder.  

I’m not exactly the keenest on survival mechanics.  They tend to get really annoying at some point.  I don’t want to have to find more food to eat.  I just want to explore, and while that option is available as a way to play the game, I definitely would not recommend it.  One of the difficult things about survival games is designing how the player manages their progression.  How do we make it so food is a challenge, but not annoying?  Should we make it so tools break?  And how do we design tiered tools?  Subnautica smooths out those experiences so these things rarely are an issue.  If you’re continuously doing your gameplay loop of survival, I feel like these things don’t ever feel like much of a problem in this game, but they receive just enough attention to make it still feel like you’re surviving on an alien planet.

This brings me to the thing that I enjoy so much: you don’t really have a weapon.  Okay, you get a knife early on, but that thing is puny.  It is clear in the game that you are a guest in a foreign world.  Creature designs are beautiful, strange, and sometimes dangerous.  The world is hand-crafted, so everything has its set place and I think that was the better way to go here.  Every time I stumble on a new area my mouth is agape.  I’ve really never felt such excitement and joy from exploring a new world as I do in Subnautica.  However, this may be a bit of a bias having studied biology as a focus in school.  I love learning about the physiological properties of creatures when I scan them.  I just…I need to scan them.  I need to know more.  If biological lore is a thing for you, then you’re playing the right game.  Or maybe you just like codices.

I’m also…incredibly scared of this game.  There is a story in the game and it is a game you can finish.  I love stories in games, but it’s also frightening that, in order to progress, sometimes you have to go into huge spaces of open water.  Maybe that’s also what makes Subnautica exploration so invigorating is that while there is a sense of awe upon finding a new biome or area, there is also fear.  You are a small human in a big ocean.  Sometimes all you can see is darkness or foggy water.  The fear is so natural.  It’s not like there is going to be a person with a pyramid head or a zombie leaping at you.  It is just…water.  I admit it, there have been times I swam forward and had my eyes half closed…maybe, maybe fully closed.  But I think this fear of the unknown is done very well here and is a core part of Subnautica.

Oxygen.  I’m going to say one thing that I think is both frightening and so visceral that I really love in Subnautica.  It’s getting lost in an underwater cave.  Perhaps you’ve heard this from divers or instructors before.  In real life, underwater caves are extremely dangerous to dive in.  If you don’t have a guide or a line to keep yourself in check, even experienced divers can die from lack of oxygen.  And all these things are definitely felt in Subnautica.  I think the intense panic I’ve had knowing my oxygen was running out and being completely disoriented from the multiple dimensions of being underwater is some of the best panic I’ve felt in video games.  Frantically and desperately swimming around hoping that I remembered things right.  It’s a rush.  I know I’ve run out of oxygen before in video games, but I think it’s the whole mise en scène and maybe claustrophobia of it all that makes it such a great underwater experience.  I mean, it is called Subnautica after all.

I hate spoilers, and definitely won’t ruin the game’s story here.  It is a good story though, and it is well worth your time, or at least I like it.  But like most things as games, it has to hold up well as an experience, and I don’t know if I’d play through the story if the way you move through the story wasn’t as well done.  I think in survival games, story tends to be pretty minimal.  I mean, actual survival games, I don’t mean open world games with survival elements.  Games like The Legend of Zelda: Breath of the Wild are open world games with survival elements.  You do have to “survive”, but you can also get stronger and survival kind of gets cast to the wayside.  That first area with the plateau in Breath of the Wild is the survival part, the rest is exploration.  Mostly.  In Subnautica, you’re always just trying to survive.

I think the biggest factor of all these things is just awe.  It is a game that puts my feeling of how much I love exploring the world of video games into overdrive.  But even if this is so great, don’t go forcing yourself to like something if exploration is not your thing.  Perhaps you may find a certain aspect of it exciting enough, like creature design.  No matter how much I can praise a game on its strengths, if they’re not to your liking, it may be an unnecessary playthrough.  While I won’t deny those strengths are there, I would like to remind everyone that your opinions on what games to play are always valid.  Just remember that there may also be a new thing to love if you’re willing to give it a go.

Subnautica is a game that brings me back to childhood exploring Super Mario 64’s levels again.  And for a game that is good enough for making me want to keep playing even though I’m so scared of open water, it is #29 on the ULTRA.

Thanks for reading, I’ll see you again!
Elise

Note: If you’re feeling woozy because of being in the water and going around disorienting caves, try adjusting things like motion blur (…if the game has them I don’t remember because I always go straight to options to turn this off) and the field of view.  If you feel like puking, adjusting the field of view almost always seems to do the trick.

Gaming Identity

Master of None

I’m usually trying to find a set arc of things to write about in every article, but this is also a personal “blog”, if I can call it that.  A lot of things here are based off of personal experience and opinions, but at the same time I want it to be worth reading and fun to read.

Sometimes I lament my lack of skill level in video games.  Granted, I think I am better than a casual player.  I think I am a little bit better than the average?  And yet, place anyone who has even the slightest bit more focus on a game or type of game that they like and I can assure you they will be better than me.  As I got older in high school I thought a lot about what makes my pride and identity as a video gamer important to me. The more I think about this, the more I realize there are certain things I want to be  part of me as a gamer, and some that I really don’t care about.

Socially, I used to be upset that I wasn’t as good as other gamers, but personally, why did that matter?  The joy people get from their competitive spirit is nothing bad, but to define myself and my value through someone else’s lens just wasn’t working out for me.  I think there are three main things I tend to focus and work on as a video gamer.

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I value the history, diversity, and humanity in video games.  This is one of the driving forces behind me playing games that are perhaps more mediocre than others.  I want to see what makes games that aren’t the best still likable.  I want to see a development team improve over time.  I want to see the struggles of trying to make good game design decisions.  I love the stories of Iwata Satoru as he grew Nintendo, or the struggle of Eric Barone as he created Stardew Valley.  All of this included, I think I value my versatility and diversity in the games I play.

In terms of piracy, I am always on the front of anti-piracy, not for the sake of capitalism, but for the sake of morality and humanity.  Which is also why if it takes piracy to preserve history, I don’t necessarily discourage that side.  I think it is the moral responsibility for developers to preserve their games and the games’ history, and if they do not it may be up to the players.  This is the history side of my values.

Games that show humanity in their storylines and the poking at our lives to become better people are also very enjoyable.  Games don’t have to be deep to be good, but some games can be good because they are deep.  Undertale and some of the quests in Genshin Impact that really push what it means to be human and how we can improve are so valuable to me.  My siblings and I often poke at anime because they tend to hit the hardest notes in what makes us human.  I love the struggle between the self and what is right in Path of Exile’s implied lore.  “We see ourselves reflected in those facets, twisted beyond recognition.”  It remarks how people do not become mad in a single moment, but it is almost always a string of events unnoticed by those outside the mind.  And sometimes how certain things in their simplicity are what makes them impact how we feel and think, like in Alan Wake. I wrote an article about that.

I value the spread of knowledge that is good.  The only thing in the media industry I enjoy more than consuming is teaching about it.  I love talking about game design and helping new gamers find their place in the field.  I want them to discover what games really drive them to play.  Few things are as enjoyable as seeing a new gamer find out that they really love in a series or seeing their skill levels improve as they put in their efforts to be better at a game.  

I love seeing games as a diving board to raise interest in things.  I love studying, so learning new skills like lockpicking because of its universality in video games has been great.  Although, I’m still not as good as I’d like to be, trust me.  Learning about how politics and misuse affect the everyday lives of people in Deus Ex and relating that to real life.  Or other pokes like racism and refugee crises in Guild Wars 2.  To learn and see from outside my mind is good knowledge from video games.  

And bringing it back around, just people learning about the lore of worlds outside our own.  That excitement, the fandoms, the burning passion of it all.  These things are good knowledge because it brings people together and we carry joy together.  Just lore of games themselves, even if not as useful in real life, that is good knowledge that I love immensely.  

I value the relationship between myself and games.  This has been kind of talked about in my Breaking the Fourth Window article.  I value how games change how I treat others in positive ways.  Understanding communication and how to better be myself around others.  Setting boundaries and respecting boundaries.  I am not a social person, so all of this is a good thing.  I value how I feel about the characters and the worlds in these games.  When people cry over a beloved character’s death, and moreover why they were close to them in the first place.  Was it because they had a friend similar to them?  Was it because we loved or hated a similar situation?  Is it trauma?  …was it because they were hot?  Okay, that last one is not really something I could personally relate to, but to each their own in their video game relationships.

I think some people categorize my relationship with the game worlds as nearly as dangerous as what some…unhealthy fandoms do with characters, but I don’t relate to them in the same way.    It is a bond to strengthen my values and ties to everything around me.  I want to be with the hurt and misunderstood in games, to “talk” with them and interact and think about how I feel.  It has helped me relate to those who have been hurt in real life.  It is not that any of these relationships in our outside video games are fake, rather it is that they all uplift each other.  And in one full circle going back to my first point, it helps me become more human.

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Is this all a bit cheese?  Maybe.  Does it feel a bit preachy?  Kinda.  But all in all, it’s what I pride myself in playing video games to be.  I think a lot of the reasons I play are for uplifting me and those around me.  I want to help people be more human, or even just have good fun.  Sorry if these rather personal posts are not as exciting as my other posts, but I just hope that we all have positive growth in ourselves by playing video games.  I want to prove that there is so much more to video games than just violently shooting at demons.    …although, that is fun too.

Stay safe, thanks for reading, and I’ll see you next time.

Elise

Lone Wanderers Together

Single Player Co-op

I’m definitely a single player gamer.  If it has to be multiplayer it better be cooperative play, and even then I might just play through the whole thing by myself.  For example, The Division series I played 98% by myself.  I like taking things at my own pace and style.  My playstyle tends to conflict with a lot of my friends’ styles so I’d rather just not be a burden on the whole group.  

I love being a long wanderer.  I have a harder time with games where you need to control a squad unless it’s a top down view like an RTS or MOBA game.  In the Fallout series I never travel with a companion unless I need to for a quest.  Same goes for the Elder Scrolls series.  Sometimes I’ll still have to go through it though, like in Baldur’s Gate or Mass Effect, but I can grit my teeth and “get along” with people.  Perhaps I’m just not a people person.

After all is said and done, one of my favorite things to do with single player games is to talk with other players who have finished it and hear their sides of the story.  What choices did they make that differ from me?  In my previous article I talked about how I tend to make choices that are more like myself, and that also means not experiencing a lot of things that other people chose.  I love to see why people choose different choices especially concerning factional, emotional, or moral matters.

I also like to hear where they wandered off to and what side areas and quests I didn’t see.  I purposely only do quests and side quests I truly run into on my own to make it more of a personal experience (unless I desperately need an upgrade or something), and so hearing of other’s exploits and adventures makes theirs even more unique.  Like, hearing a friend run into a legendary monster that I never knew about is so cool.  Them talking about some secret loot from it and what it was like is such a fun experience.  We’ve both played the game, but their treasures are all different.

This is a little harder to do with open world games where quests and areas are more laid out for you.   In Assassin’s Creed: Origins I ended up going to nearly, if not all, the markers on the map.  It didn’t feel very unique.  I was just checking off a list of things to do.  Every once in a while I’d run into something unique that made me smile, laugh, or be in awe.  I found the things that really hit that single player adventure spot were those few things that I ran into that were unmarked, or events that happened due to certain sandbox-based natural events.  

Guild Wars 2 kind of hits that same note, even though it’s an MMO.  MMOs are a little less like the nature of long wanderers together because of obvious reasons.  However, the way the game’s event based quests and renown hearts work, you can always just run into people and work together to fight some map boss or help a town of NPCs out.  Immediately after, we say thanks or share a cheer, and then off we are back again on our own adventures.  

Single player games offer that weird feeling of being back at base, and everyone shares their experiences and loot.  I hear their stories and I get amped up to go on another adventure.  In a weird way, I don’t feel alone in a single player experience, because we’re all on this smattering of timelines in our own worlds and I can hear what happened with them.  I know this is ironic because I don’t talk to a lot of people in general, but still.  All of this becomes more and more exciting as system based games like Dishonored and The Legend of Zelda: Breath of the Wild take shape.  They need not be super open world, but their dynamic systems allow for unique experiences that I continue to be amazed at or laugh at.  

It reminds me of times being united with gamers playing Super Mario World or other older single player games of the olden days.  We were all together because we all went on the same adventure, but when we reunite we all tell differing tales.  

Thanks for reading, I’ll see you again soon.

Elise

Why I Love: Warcraft II: Tides of Darkness

Ready to Work

Warcraft II: Tides of Darkness is where Blizzard Entertainment really started to shine.  They began to show the strong character of the studio.  Every song, animation, and voice line has so much personality.  You were fully prepared to delve into the world.

Blizzard has made games with quite a bit of personality like Blackthorne and more so with The Lost Vikings, but Warcraft II just exploded.  Real-time strategy games were on the rise and Blizzard Entertainment was leading the charge.  The flow would be helped with games like Command & Conquer and Age of Empires, but both of those games settled on a grittier, hard world.  Blizzard leaves enough soft world building to give a sense of wonder.

I think one of the things that really attracted me to Warcraft was how fast the battles took place:  the flying of arrows and axes, the galloping of knights, and cannonballs being fired from ships.  It was all so intense.  I think it may be annoying to some, but the constant clanging of swords when the units are fighting each other is super pleasing to me.  I just imagine them smacking each other with all their might.  It reminds me of playing with toys and making them go to war with each other.  Some toys had special abilities. Some toys were tanks that would just break through the lines.  I guess Warcraft was kind of what I imagined all that to be.

I messed around with the level editor and made some pretty crude levels.  I was pretty young so it’s not like I was making anything fancy, but again, it was one of those situations where I could set up certain situations and have them go at each other.  It was a dream come true.  

Most of the units in either faction were pretty similar which likely helped with balancing issues, but I loved how into the fantasy setting the voice-overs were.  They really felt like two different factions, when stat-wise they were mostly the same.  I think what I love most about Warcraft II is the fact that they fully committed to this fantasy war game.  

With most RTS games game theory is a thing so this is not specific to Warcraft, but I want to point out that this is where that really started building in my mind.  The idea that there are so many different variables and situations that makes each battle feel unique and fought for are what really make RTS games something I love.  I think the esports scene for RTS games are the most interesting because of how mentally intense it is with commanding an army and determining strategies mid-battle, especially in something as fast paced as Warcraft or Starcraft.

Maybe I’m just super biased.  Haha!  But these are the things that makes Warcraft appealing to me.  Warcraft II: Tides of Darkness sits at number 130 as of writing this.  I need to write more frequently or else I’m going to keep getting pushed down this list.  I’ll see you next time on the ULTRA!